- Zing! Went The Strings Of My Heart
- Julianna Milin, soprano
- Jazz Classics: String Quartet Full Score & Parts
- More by antoine2011
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Zing! Went The Strings Of My Heart
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- Zing! Went the Strings of My Heart - Viola scored for String Quartet.
- underGROUND: with audio recording?
- Description de 50 itinéraires de rêve en Europe (French Edition).
- Zing Went the Newman Strings of My Heart!;
- Beautiful Soon Enough!
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Julianna Milin, soprano
Click on an underlined link to listen to or download a recording. Most hymns are arranged for soprano, alto, tenor, and bass voices, which roughly correspond to the respective ranges of the four instruments in a string quartet. And, because they are intended to be sung by ordinary congregants and are therefore made to be easy to sing, they are also generally easy to play.
As a result, we can usually play any hymn for which we can get the music.
We own a collection of hymns entitled Great Hymns of the Faith , which includes most of the commonly-heard hymns. Also, sheet music for all of the hymns in The Open Hymnal Project are available free of charge. If you're thinking of a specific title, this is a good place to start. Other Information.
No one, not even Gerhardt, has been able to replicate that unique quality that Newman brought to the conducting of his own music. While other conductors have performed other Golden Age greats like Korngold, Steiner, Waxman, and even Herrmann in some facsimile of their original recordings, Newman has by and large eluded modern conductors. The two sides of the Biblical character of Bathsheba Susan Hayward —lover and seductress—are given musical voice in this cue.
Jazz Classics: String Quartet Full Score & Parts
Minor keys and chromatic intervals slink side by side. Knowing what we do about their outcome makes those scenes painfully poignant. In the heartbreaking climax, the two young lovers kiss as the strings yearn heavenward. In moments such as these, Newman extends the original melody into new thematic and harmonic territory, prolonging our pain and empathy into an orchestral cry of frustration and anger at the senselessness of it all. If any film embodies the best of the Newman strings, this is it. Weather conditions made filming difficult, the film moved from Fox to United Artists, Stevens spent the entire budget before filming even began and it eventually became the most expensive movie ever filmed in the U.
By this time, Newman was no longer at Fox and the sound of the orchestra, particularly in the hands of orchestrators Jack Hayes and Leo Shuken is decidedly different.
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Even when repeating the same thematic patterns, Newman generates forward movement and passionate tension using sudden modulations and subito pianissimo dynamics. Occasionally Newman asked the strings to express something more mentally and emotionally challenging.
As such, Newman had to portray the searing effects of electric shock in music. The harmonies are unsettled and the strings dig into their bridges, wailing at the top of their tessitura. Likewise, the woodwinds scream in horrifying pain.
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The sound is mighty unpleasant, as it should be. I bet there was a run on rosin by the end of that recording session. The score is chock full of arrangements of period tunes.
But amid the expected political posturing of the brass sits an exquisite moment for the Newman strings. In the hands of a master like Newman, even the happiest of tunes take on a whole new character—one of memory, pain and unbearable sadness. If you're new here, you may want to subscribe to my RSS feed.